They can stuff their catalogue with as many groovy effects plugins, hardware synths and audio interfaces as they like (those new MiniFuses sure look nifty, mind), but for us, Arturia’s main draw will always be the ever-expanding array of classic synthesisers and keyboard instrument emulations with which they first made their mark on the music technology landscape. Find out more in Eli Krantzberg’s video overview.
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With a greatly improved feature set beyond those three headlines, and a completely redesigned interface, VocAlign Project 5 represents a huge upgrade over VocAlign Project 3 (there was no v4, thanks to Synchro Arts’ ‘alternating’ version numbering), providing music and media producers with a phenomenally powerful but supremely intuitive system for time-aligning voice and instrumental tracks of all kinds. September saw some of that technology trickle down into version 5 of the entry-level VocAlign Project, including the time-saving SmartAlign, which ensures that doubles and harmonies starting at different points on the timeline to the main vocal are handled correctly the Max Difference control for one-knob tightening/loosening and ARA support for deep integration with Logic Pro, Studio One, Cubase and Reaper.
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No doubt about it, the future of music production on Mac has never looked brighter! Synchro Arts Sort Out Your SingerĮarlier this year, Synchro Arts set a new bar for vocal ‘fixing’ with the amazing VocAlign Ultra, bringing the time alignment of VocAlign Pro together with the pitch alignment of Revoice Pro in a comprehensive plugin for the straightening out and syncing of multitrack vocals and dialogue tracks. There are still major issues with quite a few non-native VST plugins in all Apple Silicon native DAWs that might mean you still need to run yours in Rosetta 2 mode for a while yet, but dang, the improvements in performance across the board when everything is native are absolutely stunning. With FL Studio and Live being two of the most popular DAWs for electronic music production, though, those updates seem likely to trigger more than a few hardware upgrades, too, particularly when Apple unveil the second tier of Apple Silicon MacBook Pros in what is widely predicted to happen in October.
However, the last few weeks have seen things kick up a gear in this department, most notably with the release of PreSonus Studio One 5.4, but also Image-Line FL Studio 20.8.4 and the public beta of Ableton Live 11.1, all of which introduce native Apple Silicon compatibility to their technical arsenals.įor us, Studio One 5.4 is the biggest story, and we’ve taken a deep dive into it here on the website, as well as in a recent Production Expert podcast. With the Rosetta 2 translation layer proving so effective at running Intel-native DAWs and plugins on Apple Silicon, developers clearly haven’t felt pressured to prioritise conversion to the new ARM-based architecture for optimal performance. Cheer yourself up with the past months stand-out new music tech releases… Studio One 5, FL Studio 20 And Live 11 Go Nativeīefore September, there were only three Apple Silicon-native DAWs available to producers toting Cupertino’s swanky M1 Macs: Logic Pro X, Bitwig Studio 4 and a beta version of Reaper.
All the petrol’s gone, your electricity bill looks like an accounting error, and winter is very much coming.
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